See Apply a Pathfinder effect using the Pathfinder panel. Traces the outline of all objects as if they were a single, merged object. The resulting shape takes on the paint attributes of the top object. Traces all nonoverlapping areas of the objects, and makes overlapping areas transparent. Where an even number of objects overlap, the overlap becomes transparent. Where an odd number of objects overlap, the overlap becomes filled. Subtracts the frontmost objects from the backmost object.
You can use this command to delete areas of an illustration by adjusting the stacking order. Subtracts the objects in back from the frontmost object. Separates a piece of artwork into its component-filled faces a face is an area undivided by a line segment. Note : When you use the Divide button in the Pathfinder panel, you can use the Direct Selection or Group Selection tool to manipulate the resulting faces independently of each other.
You can also choose to delete or preserve unfilled objects when applying the Divide command. Removes the part of a filled object that is hidden. Removes any strokes and doesn't merge objects of the same color.
Removes any strokes and merges any adjoining or overlapping objects filled with the same color. Divides artwork into its component-filled faces, and then deletes all the parts of the artwork that fall outside the boundary of the topmost object. It also removes any strokes. Divides an object into its component line segments, or edges. This command is useful for preparing artwork that needs a trap for overprinting objects.
See Create a trap. Note : When you use the Outline button in the Pathfinder panel, you can use the Direct Selection or Group Selection tool to manipulate each edge independently. You can also choose to delete or preserve unfilled objects when applying the Outline command. Combines colors by choosing the highest value of each of the color components. Makes the underlying colors visible through the overlapping artwork, and then divides the image into its component faces.
You specify the percentage of visibility you want in the overlapping colors. Compensates for potential gaps between colors in artwork by creating a small area of overlap called a trap between two adjoining colors.
A compound shape is editable art consisting of two or more objects, each assigned a shape mode. Compound shapes make it easy to create complex shapes because you can precisely manipulate the shape mode, stacking order, shape, location, and appearance of each path included. You can use the Layers panel to show, select, and manipulate the contents of a compound shape—for example, to change the stacking order of its components.
You can also use the Direct Selection tool or the Group Selection tool to select components of a compound shape. When you create a compound shape, it takes on the paint and transparency attributes of the topmost component in Add, Intersect, or Exclude mode.
Subsequently, you can change the paint, style, or transparency attributes of the compound shape. Illustrator facilitates this process by automatically targeting the whole compound shape when you select any part of it, unless you explicitly target a component in the Layers panel. Original objects B. Compound shape created C. Individual shape modes applied to each component D.
Style applied to entire compound shape. You can include paths, compound paths, groups, other compound shapes, blends, text, envelopes, and warps in a compound shape. Any open paths you select are automatically closed. Each component of the compound shape is assigned the shape mode you select. Select Make Compound Shape from the Pathfinder panel menu. Each component of the compound shape is assigned the Add mode by default.
Note: You never need to change the mode of the backmost component, because that mode isn't relevant to the compound shape. To sustain maximum performance, create complex compound shapes by nesting other compound shapes containing up to about 10 components each instead of using many individual components.
Releasing a compound shape separates it back into separate objects. Expanding a compound shape maintains the shape of the compound object, but you can no longer select the individual components. The shape layers and layer clipping paths vector masks in Adobe Photoshop are types of compound shapes. You can import shape layers and layer clipping paths into Illustrator as compound shapes and continue to manipulate them.
In addition, you can export compound shapes to Photoshop. Keep the following in mind when using compound shapes with Photoshop:.
Only compound shapes that reside at the top level of the layer hierarchy are exported to Photoshop as shape layers. A compound shape painted with a stroke using a join other than round, or with a weight in points that is not an integer, is rasterized when exported to the PSD file format. A compound path contains two or more paths that are painted so that holes appear where paths overlap.
When you define objects as a compound path, all objects in the compound path take on the paint and style attributes of the backmost object in the stacking order. You can make use of the panel to edit the final shape and create a complex combination of shapes if you want. The objects are automatically grouped when you apply effects from the panel. You can combine objects to create compound shapes. These shapes are fully editable and can be created using two or more objects.
The Pathfinder tool makes it easy to create complex shapes because you can manipulate the shape, location, appearance and stacking order of all included shape paths. Simply create multiple shapes and use the Add, Exclude and Intersect options from the Pathfinder tool to create a compound shape. Combining objects lets you work on the whole compound shape instead of working on all individual shapes used to create your final compound shape.
If you want to target a specific component, you can still do so from the Layers menu. Here are a few examples of compound shapes. The Pathfinder tool in Illustrator offers full creative freedom and lets you create custom shapes suited to your needs.
Making use of all the available Effects for the Pathfinder tool will let you create precise compound shapes. This has been a guide to Pathfinder Tool in Illustrator. Here we discuss how to access the Pathfinder panel and how to combine objects using the Pathfinder tool in illustrator.
You can also go through our other related articles to learn more —. Recommended products are always ones that I have tried myself and personally recommend. The pathfinder tool is essential away to manipulate objects, allowing you to combine, subtract, and otherwise define new objects using what you already have.
Go check them out before you get started here. Once you have two shapes selected, here are examples of the different Adobe Illustrator pathfinder functions. There are several oddities with using the pathfinder which are beyond the scope of this post. He received his bachelor's of science in Integrative Studies with a focus on Chemistry and Biology in , and earned a PhD in Cancer Biology in He now created multimedia science communication pieces such as infographics and animations to make science more widely accessible.
Username or Email Address. Remember Me. Don't have an account? Gaius J Augustus. Tutorial: Adobe Illustrator Pathfinder Panel. Follow along with the Pathfinder Panel Tutorial! Grab a downloadable tutorial to get more practice.
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